GUN WOMAN follows a Japanese doctor who vows revenge on a crazy sadistic killer after the man murdered his loving wife. Despite the maximum security that surrounds this billionaire, the doctor finds a perfect assassination plan when he turns a young Japanese woman into the most lethal assassin the world has ever seen. This outrageous plan -- his only chance for revenge -- will happen at an underground facility where the killer goes to fulfill his sexual fetishes. On the night before the plan is to be executed, the woman assassin is "completed" by the doctor... She is now, GUN WOMAN.

A blind master swordsman attempts to lead a quiet life with his wife but he is provoked back into battle.

A group of idealistic young men, determined to clean up the corruption in their town, are aided by a scruffy, cynical samurai who does not at all fit their concept of a noble warrior.

When a powerful warlord in medieval Japan dies, a poor thief recruited to impersonate him finds difficulty living up to his role and clashes with the spirit of the warlord during turbulent times in the kingdom.

Peace in 17th-century Japan causes the Shogunate's breakup of warrior clans, throwing thousands of samurai out of work and into poverty. An honorable end to such fate under the samurai code is ritual suicide, or hara-kiri (self-inflicted disembowelment). An elder warrior, Hanshiro Tsugumo (Tatsuya Nakadai) seeks admittance to the house of a feudal lord to commit the act. There, he learns of the fate of his son-in-law, a young samurai who sought work at the house but was instead barbarically forced to commit traditional hara-kiri in an excruciating manner with a dull bamboo blade. In flashbacks the samurai tells the tragic story of his son-in-law, and how he was forced to sell his real sword to support his sick wife and child. Tsugumo thus sets in motion a tense showdown of revenge against the house.

An executive mortgages all he owns to stage a coup and gain control of the National Shoe Company, with the intent of keeping the company out of the hands of incompetent and greedy executives. He needs the same money, though, to pay the ransom that will possibly save a child's life. His resolution of that dilemma -- the certain loss of the company vs. the probable loss of the child -- makes for one distinct drama, and an ensuing elaborate police procedure makes for a second.

This film contains four distinct, separate stories. "Black Hair": A poor samurai who divorces his true love to marry for money, but finds the marriage disastrous and returns to his old wife, only to discover something eerie about her. "The Woman in the Snow": Stranded in a snowstorm, a woodcutter meets an icy spirit in the form of a woman spares his life on the condition that he never tell anyone about her. A decade later he forgets his promise. "Hoichi the Earless": Hoichi is a blind musician, living in a monastery who sings so well that a ghostly imperial court commands him to perform the epic ballad of their death battle for them. But the ghosts are draining away his life, and the monks set out to protect him by writing a holy mantra over his body to make him invisible to the ghosts. But they've forgotten something. "In a Cup of Tea": a writer tells the story of a man who keep seeing a mysterious face reflected in his cup of tea.